We just started a monthly sound design workshop, which we’ll be doing on the 1st Sunday of every month. We will be talking about electronic music sound design concepts (synthesis, sampling techniques, creative use of effects, etc.) as well as any tips or tricks that anyone wants to share which go beyond sound design alone.
I have a love/hate relationship with technology. For the record, I am an electronic musician for a living. My entire income is based on the daily use of cutting edge audio/video technology, as well as the ability to connect to a worldwide audience via the internet in order to share my work (Don’t think that I don’t see the irony in all of this). However, the fundamental reason why I use this technology, is to connect with people emotionally via music, and maybe even more importantly, people themselves on a more personal basis.
Looking back at the last 43 years of my life, I realize that I’ve employed a lot of self-destructive habits in the past which I now distance myself from. Admittedly, I haven’t always been the man I am today. I often reflect on how lucky I am to have survived a barrage of near debilitating life experiences and events over the years (like child abuse & abandonment, drug addiction, etc.) which, thankfully, taught me a lot about the person I don’t want to be.
Not everyone can sit through hours and hours of online video tutorials. In fact, it’s been proven that most people learn best through real-world, hands-on experience with teachers who are not only sensitive to the delicate nuances of individual personalities, but can also tailor their approach according to their student’s specific needs and goals.
In today’s crowded and largely underwhelming music industry, it seems like sidestepping the crucial, and often, time consuming steps towards true and enduring proficiency has become the norm. In the quest for overnight success, fledgeling DJs and musicians seem to have forgotten (or never really knew to begin with) what music is truly about. This is why it’s more important than ever to become really good at what you do.
Check out “Up and Running With Omnisphere 2” with J. Scott G., on lynda.com.
Spectrasonics’ Omnisphere is a synthesizer of enormous power, with a library of over 12,000 sounds. Its versatility makes it valuable for any kind of music production, including film scoring. In this Omnisphere training course, J. Scott Giaquinta explains what makes this amazing synth work, including the concepts behind headers, multis, parts, and layers, and shows how to find sounds in its extensive libraries. He also demonstrates how to use the Orb, a unique circular controller, and the granular engine to modify sounds, and build your own sounds with features such as the Modulation Matrix and FX modules. In the final chapters, J. Scott G. shows how to create two completely new sounds (a bass sound and pad) from scratch with Omnisphere.
- Navigating the Omnisphere header and multis
- Setting up automation
- Managing presets and patches
- Using the Orb to manipulate sounds
- Exploring the Synth and Sample modes
- Using filters, envelopes, and LFOs
- Using granular to mangle sounds
- Understanding the Arpeggiator
- Using Stack and Live mode
- Creating sounds from scratch
Up and Running With Omnisphere 2
Also, we sincerely believe that a great (read: pǝʇsᴉʍʇ) sense of humor is paramount to life here on earth. You’ll often find us pulling ridonkulous stunts & practical jokes just to get a laugh. After all, anyone who takes themselves too seriously is missing out on what’s *truly* important.
So, if this sounds like you, then welcome.
P.S. – If you like what we do here, share us with your friends, and/or join the street team! We put a *lot* of work into bringing you our best, so show us your appreciation by being a part of our community!
Turn it up!